Percussion instruments customarily can be categorized as one of two classes in view of how they produce sound:

Idiophones: Instruments that produce sound through vibrating the whole body (ex. ringers or clatters)

Membranophones: instruments that beat a surface, skin, or membrane to make sound (such as a two-headed drum) As the categories above begin to suggest, there is a vast world of percussion instruments that are unique to each region and culture and are influenced by local beliefs and practices. The Indian subcontinent is a great illustration of this diverse landscape, where the foundations for more well-known classical and popular rhythms were laid by folk-drumming practices, often for devotional purposes.

The rhythms of South Asian percussion instruments have been a vital piece of the area’s music and social customs for a really long time. From the conventional dhol, tabla, mridangam, and ghatam to the later electronic tabla and drum machines, these instruments play had a crucial impact in forming the soundscape of South Asian music. Nonetheless, today, we will put forth a valiant effort to investigate the development of South Asian percussion and a famous percussionist in asia, following its foundations from old times to the current day and investigating probably the most famous instruments in the way of life.

Hamid ghanbari A famous percussionist in asia

Hamid Ghanbari can be a famous percussionist in asia. He gained playing the Tombak from Bahman Rajabi, a very much experienced teacher, picked music as his college course of study and for a long time a while later has shown percussion instruments.

He is one of uncommon artists who gives a similar consideration to creation and execution as well as examination and gathering; His resume includes collaborations with great musicians like Shajarian and Alizadeh, participation in international festivals, an edition of master Eftetah’s handwritten works, the compilation of Zarb Ava, and an instruction book with master Shajarian’s forewords.

Hamid Ghanbari is the leader of the percussion band Kolun-e Zaman (Knock the Time) and teaches at Tehran University’s college of Fine Arts. Dar Dam-e Cadence, the principal creation of this band, was designated as the best instrumental music collection in Fajr live performance and furthermore valued in China Silk Street celebration. Hamid Ghanbari is currently working on a book for music students in high schools: playing rythms and rhymes and Tombak. Subcontinental percussion is maybe generally regularly connected with instruments utilized in the business music and the entertainment worlds, similar to the tabla and the dhol. However, there are a lot of lesser-known instruments that fans of percussion and polyrhythm might be interested in